Of Monsters And Men
Of Monsters and Men is an amiable group of day dreamers who craft folkie pop songs. But last year, the normally mild-mannered six pack -- who's releasing their EP, "Into the Woods," on December 20, 2011 -- transformed into total rock stars after stomping out their competition during Musiktilraunir, a yearly battle of the bands in their native Iceland.
"We just kind of... won," recalls co-singer/guitarist Nanna Bryndis Hilmarsdottir. "We weren't expecting it at all. So I said, 'Everybody come to my place!'" Beer-swilling friends spilled out of her flat. "I was like, 'Oh fuck, my neighbors aren't liking me right now.'"
Those neighbors won't be making noise complaints anymore. With the group's bright, trumpeting single "Little Talks" winning over one blog at a time, Nanna and her bandmates (co-singer/guitarist Ragnar "Raggi" Thorhallsson, guitarist Brynjar Leifsson, drummer Arnar Rosenkranz Hilmarsson, piano/accordion player Arni Guthjonsson, and bassist Kristjan Pall Kristjansson) are well on their way to becoming citizens of the world.
Their rapid rise transpired in just one year. Nanna, who began as the acoustic act Songbird, recruited extra hands to bolster her sound for a solo show. She liked how her vocals commingled with Raggi's, so they started writing songs together and in 2010 morphed into Of Monsters and Men. As victors of 2010's Musiktilraunir, the new group earned a slot on the influential Iceland Airwaves festival later that year, followed by Seattle's radio station KEXP posting "Little Talks" from a Living Room Session filmed there, setting the telltale ripple effect in motion.
By the summer of 2011 "Little Talks" hit No. 1 in the band's native country, and "people around the world seemed to be listening to us," marvels Raggi. The band was asked to perform again at Iceland Airwaves 2011, where KEXP then anointed the group as "easily the most buzzed about band."
Though their reach is growing broader, the group's appeal has remained distinct: Their music is as fantastical as it is pretty. For inspiration, they often reference random stories they've read. The chanting, tribal "Six Weeks" was inspired by the true tale of American frontiersman Hugh Glass, seemingly left for dead after 86ing a bear that attacked him. Explains Nanna, giggling: "I was reading a post about the six most badass guys in history." As for the swelling, epic "From Finner"? "It's about a whale that has a house on its back" says Raggi "on which people travel across the ocean, exploring different places and having adventures."
They also dig deeper, past legends of grizzly men and whale riders. "Little Talks," for instance, explores loneliness and insanity, while "Love Love Love" ruefully ruminates on heartbreak. "If you listen to the lyrics, they're not as uplifting," he says. "But our music is meant to be fun to sing along to."
In September, Of Monsters and Men threw another party -- a more thoughtful gathering to celebrate their full-length debut, "My Head Is an Animal." (The album, which was released in Iceland and hit No 1 there soon after, will drop worldwide in early 2012.) For the occasion, they cut out animal masks for the attendees to wear, making them makeshift monster-men/women. "Iceland can be a very isolated country and that translates to the music," Nanna says, adding,"We get stuck in our little world."
: As one of the seven collective in Icelandic band Seabear, Soley has been around the world and back, but it wasn't until five years ago that this bespectacled multi-instrumentalist finally discovered her own vocal skills. Soleys brilliantly quirky voice is at the core of her intricate compositions. In 2011, and still in her mid-twenties, Soley released We Sink, her first full length album which takes listeners through a dream-like journey of 13 lovely, strange and unforgettable tracks.
Elle King sounds like Billie Holiday having a shot of whiskey with Johnny Cash. She loves banjos and hobos. Born in Ohio and raised in Brooklyn, Elle retains her roots in a style that blends those worlds of both grit and mid-western charm. She ties her old soul, blues, and rock 'n' roll influences into a sound that's all her own. She's far from a bully but she ain't a punk. To hear her is to believe her.
"Living proof that if you use a Ouija board properly, you can summon the ghosts of Bowery balladettes and Robert Johnson while the angels run a capella and the devil duets on banjo to create Elle King's shockingly sexy-sorrowful songsmithery. The Brooklyn-based siren has a sweetheart-with-a-knife voice that promises potentially dangerous intimacy on a grand, spooky scale." – Marc Savlov, The Austin Chronicle