The Jealous Sound

The Jealous Sound

The Pauses, You Blew It!

Mon, October 8, 2012

8:00 pm

The Social

$12.00

This event is all ages

All lineups and times subject to change

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The Jealous Sound
The Jealous Sound
Summer 2000 saw the release of The Jealous Sound 5-song CDep on indie start-up, Better Looking Records. The band's fanbase grew rapidly as The Jealous Sound toured the country and shared the stage with At The Drive-In, The Get Up Kids, No Knife, Death Cab For Cutie and The Promise Ring. Magazines worldwide caught the excitement of The Jealous Sound's debut with glowing remarks in Maxim, CMJ, A.P., Kerrang and more. SPIN heralded The Jealous Sound as "the rock you must have".

With the success of Better Looking Records' CDep release, The Jealous Sound signed a record deal with Mojo Records in 2001. Within weeks of signing, Mojo lost their distribution and announced sweeping layoffs. The Jealous Sound found themselves in limbo. Months later, Mojo was bought out by Jive Records (home to such artists as Backstreet Boys, Jars of Clay and R.Kelly).

Obviously mismatched on Jive, The Jealous Sound managed to escape and wasted no time in signing back with former label, Better Looking Records. The Los Angeles record label is home to releases by No Knife, The And/Ors, Australia's Ides of Space and most recently, a sold-out Jimmy Eat World limited edition holiday single.

Better Looking Records is looking to release the much-anticipated 12-song full length "Kill Them With Kindness" by The Jealous Sound on June 3rd, 2003. The band just finished recording with acclaimed producer Tim O'Heir (All American Rejects, Superdrag, Sebadoh / Folk Implosion, Juliana Hatfield, Dinosaur Jr.).

Singer/guitarist, Blair Shehan says of the new record, "This is going to be a dark and moody record. The songs are still honest and revealing. With Tim producing, we're getting bigger more expansive sounds...the music will have much more of a sonic landscape."
The Pauses
The Pauses
The Pauses' (who prefer that their possessive noun-ing be spelled Pauseses) overall sound is one anchored in complexion and combination, a world where guitars are BFFs with synthesizers, horns, bells, and ukuleles. Tierney Tough's bright, fresh voice - which fits nicely between Metric's Emily Haines and Feist - glides just as easily atop the breathy sparkle and agile math of Rock Band track "Go North" as it does the indie-pop sway and post-hardcore torque of "Beyond Bianca." From the serious, atmospheric mood of "The Migration" and "Pull the Pin" to the lithe, glitchy charm of "Hands Up," The Pauses got mad range, often in the same song. Rooted in the dynamics and ethos of '90s indie rock, their sound is a balancing act between rock and electronics, airiness and heft, suppleness and angularity. And their debut album, "A Cautionary Tale" (produced by J. Robbins of Jawbox and Burning Airlines) shows that you can explore without losing your core.
Venue Information:
The Social
54 North Orange Ave
Orlando, FL, 32801
http://www.thesocial.org/